Showing posts with label 1990s. Show all posts
Showing posts with label 1990s. Show all posts

Thursday, February 26, 2026

Saturday, January 31, 2026

January 2026 Acquisitions

Books:
Bonnie Bader and Sue Cornelison, Martin Luther King Jr.: A Little Golden Book Biography, 2018.
James Ellroy and Glynn Martin, LAPD '53, 2015.
Albert B. Feldstein (ed.), The Invisible MAD, 1975.
Johann Wolfgang von Goethe, The Sorrows of Young Werther and Selected Stories, 1962.
Torunn Gronbekk et al, Catwoman Vol. 2: Never Let Them Smell Blood, 2025.
Owen King et al, Self Help, 2025.
Cynthia Von Buhler, Minky Woodcock: The Girl Called Cthulhu, 2025.
The EC Archives: Crime SuspenStories Volume 2, 2024.

Movies:
Barb Wire, 1996.

Music:
Bix Beiderbecke, Volume 1: Singin' the Blues, 1990. 
Chills, Soft Bomb, 1992.
Dr. Feelgood, Stupidity, 1976, 2025.
Ferris Wheel, Can't Break the Habit, 2000.
Roberta Flack, The Best of Roberta Flack, 1981.
Curtis Harding, Face Your Face, 2017.
Edwin Hawkins Singers, Oh Happy Day, 2001.
Human League, Greatest Hits, 1988.
Yoko Ono, Plastic Ono Band, 1970.
Various, Mod Anthems Volume 2, 2016.
Various, Tonite Let's Make Love in London, 1968, 2016.

Saturday, January 24, 2026

"A Cautionary Tale, Not a Triumphal One"

"This dark history has a happy ending, sort of. The Environmental Protection Agency began forcing smelting companies to install pollution controls in the 1970s. The EPA's phaseout of leaded gasoline, fought by oil company lawsuits for years, was basically complete by the mid-1980s. Blood lead levels in the population dropped 78 percent from 1976 to 1991, and crime rates began dropping dramatically in 1992. The correlation was so close it gave rise to a 'lead-crime hypothesis' among epidemiologists. The nationwide number of serial killers, whose average age is 22, dropped, too, from 669 in the 1990s to 117 by the decade ending in 2020; a 2007 analysis concluded that there was a 'robust' connection between childhood lead exposure and violent crime. Whatever inborn tendency to serial murder that seems to exist in some men may have lost its environmental trigger."

In a 2025 Washington Post article, Wendy Smith reviews Caroline Fraser's Murderland: Crime and Bloodlust in the Time of Serial Killers.

Sunday, November 30, 2025

November 2025 Acquisitions

Books:
Ed Brubaker and Sean Phillips, The Knives, 2025.
R.K. Gordon, Beowulf, 1992.
Robert Inchausti (Ed.), The Pocket Thomas Merton, 2017.
Nicole Johnson, Pirates of the Caribbean, 2023.
Ziauddin Sardar and Borin Van Loon, Introducing Cultural Studies: A Graphic Guide, 2010.

Music:
Ivy, Traces of You, 2025.
Spinal Tap, The End Continues, 2025.
Mavis Staples, Sad and Beautiful World, 2025
Tame Impala, Deadbeat, 2025.

Friday, October 31, 2025

October 2025 Acquisitions

Books:
Dave Dwonch and Travis Hymel, The Loose End, 2025.
Jeffrey Weinstock, The Rocky Horror Picture Show, 2007.

Movies:

Music:
Richard Ashcroft, Lovin' You, 2025.
Black Keys, No Rain, No Flowers, 2025.
Dropkick Murphys, For the People, 2025.
Lords of the New Church, Killer Lords, 1993.
Royel Otis, Hickey, 2025.
Saint Etienne, International, 2025.

Sunday, August 31, 2025

August 2025 Acquisitions

Books:
Horace Clarence Boyer and Lloyd Yearwood, The Golden Age of Gospel, 2000.

Music:
Chairmen of the Board, The Best of Chairmen of the Board, 2002.
Chi-Lites, The Best of the Chi-Lites, 2007.
Dr. Feelgood, Down by the Jetty, 1975, 2025.
Aretha Franklin, Live at Fillmore West, 1971.
Franz Ferdinand, The Human Fear, 2025.
Randy Newman, The Natural, 1984.
Wet Leg, Moisterizer, 2025.

Friday, August 29, 2025

"It's Nice to Hear Someone Do Something Different"

"The real reason that indie started to die, or at least felt as though it did, is Spotify. As streaming supplanted downloads and album sales, it automated music discovery. Instead of reading Pitchfork or asking a record-store clerk for recommendations, more and more people began to let algorithms suggest their next obsession. This had a variety of consequences. One is that it's become harder than ever for challenging music—music that you need to listen to a few times in order to love—to gain a foothold. The prestige associated with doing something different has started to fade."

Spencer Kornhaber at The Atlantic reviews Chris DeVille's Such Great Heights: The Complete History of the Indie Rock Explosion.

Saturday, August 23, 2025

"A Signifier of Something Beyond Music"

"If you buy the idea that what the Britpop brand represents is optimism, positivity and youth culture winning without compromise then you can see its appeal to a 17-year-old in 2025. Who wouldn't hanker after the notion of a prelapsarian world before the scrutiny of social media, 9/11, the rise of the 'alt-right' et al? And the era’s 'fuck you, we're gonna have a good time' excesses look alluring in an age of wellness influencers and constant cameraphone surveillance."

Alexis Petridis at The Guardian attempts to "explain why we're all still in thrall to the ​m​ad-fer-it 90s."

And Chris DeVille at Stereogum writes after a Chicago concert that, "at long last, Oasis have conquered America."

While Steven Zeitchik at The Hollywood Reporter says that "Oasis Just Glitched the Algorithm."

And Alex Edelman at Rolling Stone describes an Oasis reunion concert as a "religious experience, if the religion was 'football hooligan.'"

Monday, July 21, 2025

"But What Made His Art So Popular?"

"Kinkade's most famous subject was the humble cottage, lit from within by unsettling candlelight. Former Evangelicals may also recall the Bridge of Hope, which spans a creek and heads nowhere. A white dogwood tree stands nearby, a 'symbol of the purity of God’s grace,' according to the Kinkade company's website. Kinkade created a world that some people, maybe even millions of people, wanted to inhabit. Though he was a Christian and his work often contained religious imagery, his art did not proselytize so much as it advertised an alternative reality where proselytization was no longer necessary. In Kinkade-land, everything is serene. There is cohesion. Grandmothers love his pink skies and cobblestone paths. Even today I can close my eyes and imagine a Kinkade abode, squatting underneath some eldritch sunset. A Kinkade landscape is often lifeless. There are few human beings, and fewer complications. Sometimes Jesus appears; other times he is more of a suggestion. Sometimes the paintings light up, literally, as if the artist wanted to burn holes in our retinas."

Sarah Jones at Dissent discusses Art for Everybody, a documentary about Thomas Kinkade.

Saturday, May 31, 2025

Wednesday, April 30, 2025

April 2025 Acquisitions

Books:
Ed Brubaker and Steve Epting, Captain America: The Winter Soldier, 2025.
Gerry Duggan, Marvel 1872: Warzones!, 2015.
Garth Ennis and Liam Sharp, Batman: Reptilian, 2022.
Gilbert Lupfer and Paul Sigel, Gropius, 2017.
Matt Margini, Red Dead Redemption, 2020.

Movies:
Rocky, 1976.

Music:
P.P. Arnold, Kafunta, 1968.
Bob Mould, Here We Go Crazy, 2025.
Frank Zappa, Strictly Commercial, 1995.

Monday, March 31, 2025

March 2025 Acquisitions

Books:
Ta-Nahesi Coates and Brian Stelfreeze, Black Panther: A Nation Under Our Feet, 2025.
Will Eisner and Gary Chaloner, The Complete Will Eisner's John Law, 2025.
Diana Hacker and Nancy Sommers, A Pocket Style Manual Eighth Edition, 2018.
Bryan Hill et al, Postal, Vol. 4, 2016.
Joeph Loeb et al, Superman for All Seasons, 2023.
B. Clay Moore and Shane Patrick White, Endless Summer, Vol. 1: Dead Man's Curve, 2022.
Eric Stephenson and Jamie McKelvie, Long Hot Summer, 2005.

Movies:

Music:
Bad Brains, Rock for Light, 1983, 2021.
Echo and the Bunnymen, Me, I'm All Smiles, 2006.
Horrors, Night Life, 2025.
Kneecap, Fine Art, 2024.
Rain Parade, Last Stop on the Underground, 2024.
Sam and Dave, Soul Men, 1967.
Sylvester, The Original Hits, 1989.
20/20, Back to California, 2025.
Barbara Weathers, Barbara Weathers, 1990.
Various, Destination: Bomp!, 1994.

Tuesday, March 25, 2025

"Corporate Restructuring Leads to Mass Layoffs at C+C Music Factory"

"'These changes are definitely necessary, but a lot of good workers are being sent home today. Of course we'll miss them, but it's now time for us to move forward as the nation's prominent supplier of dance music.'"

Friday, February 28, 2025

February 2025 Acquisitions

Books:
Selina Alko and Sean Qualls, The Case for Loving, 2015.
Max Allan Collins and Terry Beatty, Ms. Tree Vol. 6: Fallen Tree, 2024.
Frank Miller and David Mazzucchelli, Daredevil: Born Again, 2025.
Eldo Yoshimizu and Benoist Simmat, Gamma Draconis, 2021.
Cody Ziglar and Justin Mason, Spider-Punk: Arms Race, 2024.

Movies:
The Day of the Locust, 1975.

Music:
Brand New Heavies, Shibuya 357, 2021.
Jerry Butler, The Best of Jerry Butler, 1987.
Dave Clark Five, The Hits, 2008.
Kendrick Lamar, GNX, 2025.
Psychedelic Furs, Beautiful Chaos: Greatest Hits Live, 2001.
Otis Redding and Carla Thomas, King & Queen, 1967.
The Smiths, The World Won't Listen, 1987.
Vangelis, Blade Runner, 1994.
The Who, Quadrophenia, 1973, 2011.

Tuesday, February 18, 2025

"Those Words Feel Even More True Today"

"Fukuyama's pining for past ideological struggles suggests that the Last Man would eventually get bored with technocracy, consumerism, and the stultifying constraints of middle management—and seek new monsters to fight. America's flirtation with an authoritarian leader who promises he alone will fix the nation's problems and restore the country's past glory is a manifestation of this phenomenon. The greatest challenges to liberal democracy would not come from new ideological competitors but rather from complacency. 'Democracies survive and succeed only because people are willing to fight for the rule of law, human rights, and political accountability,' Fukuyama wrote in 2014."

Michael A. Cohen at The New Republic revisits Francis Fukuyama's "The End of History?"

Monday, January 27, 2025

"Some of the People and Moments That Got Me Through Week One"

"This is a terrible moment, but it's also a historic and challenging one. We can't avoid it and we shouldn't try to. Even if we occasionally have an inexplicable compulsion to put a blanket over our head, move to another country, or dive into a household chore we've put off for forty years."

Jill Lawrence at The Bulwark offers a "Sanity Check After Trump's First Week Back in Office."

Ed Kilgore at New York argues that "Trump's 'Shock and Awe' Looks More Like Chaos and Confusion."

At The Atlantic, Jonathan Chait writes that, at the recent Democratic National Committee meeting, "The Democrats Show Why They Lost."

And John Avlon at The Bulwark says that the Democratic Party "should look back to the message from Bill Clinton."

Tuesday, December 31, 2024

December 2024 Acquisitions

Books:
Andy Babiuk, Beatles Gear: All the Fab Four's Instruments from Stage to Studio, 2015.
Brian Michael Bendis, Jinx, 2001.
David Eltis and David Richardson, Atlas of the Transatlantic Slave Trade, 2015.
John Lewis Gaddis, The Landscape of History: How Historians Map the Past, 2004.
Tamron Hall with Lish Steiling, A Confident Cook: Recipes for Joyous, No-Pressure Fun in the Kitchen, 2024.
Tini Howard et al, Catwoman Vol. 4: Nine Lives, 2024.
Val McDermid, 1989, 2023.
Herman Melville, Moby-Dick, 1851, 1981.
Elseworlds: Superman Vol .1, 2018.

Movies:
The Aristocrats, 2005.
The Ipcress File, 1965.

Music:
Archies, The Archies Christmas Album, 2008.
Bad Brains, I Against I, 1986.
BellRays, Meet the BellRays, 2002.
Redd Kross, Red Cross EP, 2020.
Various, Crime Jazz: Music in the First Degree, 1997.