If You Don't Love It, Leave It

"Country music's roots are as much populist as reactionary. Always fiercely allied with working people, the earliest country stars were old enough to have campaigned for populist champions like Tom Watson; FDR was celebrated in songs of the Depression; and Merle Haggard and Johnny Cash were feted by liberals for speaking up for the downtrodden in the '60s. Country music only became synonymous with mainline conservatism -- indeed, only became consistently political -- in the late '60s, a shift that not only helped buoy Richard Nixon into the White House, but reshaped the media landscape."

In The American Prospect, J. Lester Feder traces the marriage of Country music and the right.