"In the popular imagination, humanities professors don’t have anything to be ambitious about. No one really knows what they do, and to the extent that people do know, they don’t think it’s worth doing — which is why, when the subject of humanistic study is exposed to public view, it is often ridiculed as trivial, arcane, or pointless. Other received ideas come into play here: 'those who can’t do, teach'; the critic as eunuch or parasite; the ineffective intellectual; tenure as a system for enshrining mediocrity. It may be simply because academics don’t pursue wealth, power, or, to any real extent, fame that they are vulnerable to such accusations. In our culture, the willingness to settle for something less than these Luciferian goals is itself seen as emasculating. Academics are ambitious, but in a weak, pathetic way. This may also explain why they are uniquely open to the charge of passionlessness. No one expects a lawyer to be passionate about the law: he’s doing it for the money. No one expects a plumber to be passionate about pipes: he’s doing it to support his family. But a professor’s only excuse for doing something so trivial and accepting such paltry rewards for it is his love for the subject. If that’s gone, what remains? Nothing but baseless vanity and feeble ambition. Professors, in the popular imagination, are absurd little men puffing themselves up about nothing. It’s no wonder they need to be taught a lesson."
In The American Scholar, William Deresiewicz explores the emergence of a new academic stereotype.
Monday, July 09, 2007
Life of the Mind
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