"The biggest similarity is that both northern soulsters and punks of color found something crucial – danger, excitement, validation, and a sense of personal freedom, among other rewards—in another culture’s music and crossed over to it. We’ve seen how that played out in jazz and R&B, when whites discovered something incredible that sprang from black culture. Punk was that rare occasion in which the exchange went in the other direction; neither side was prepared for the reactions that greeted them."
At PopMatters, Mark Reynolds reviews David Nowell’s The Story of Northern Soul: A Definitive History of the Dance Scene that Refuses to Die and Stephen Duncombe and Maxwell Tremblay's White Riot: Punk Rock and the Politics of Race.
Monday, February 20, 2012
"How Knotty the Whole Thing Has Become"
Labels:
1970s,
books,
Britain,
Counterculture,
cultural history,
music,
race and ethnicity,
social history,
twentieth century
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