"Just as the yuppie colonizers took the rough, downtrodden, dangerous, sometimes nihilistic city neighborhoods which—though crushed by neglect—often housed vibrant communities, and 'flipped' them for big bucks by making them palatable to middle-class normals, so did indie entrepreneurs take American punk and hardcore—similarly rough, tawdry, and ignored and reviled by capital—with its highly effective framework of distributors, fanzines, concert promoters, and community, and remake it into something which could be sold to mainstream rock fans of a certain class; the very people who had been abandoned when college rock collapsed. The term for this personal, individualist, capitalist, apolitical, entrepreneurial version of punk was 'DIY' ('do-it-yourself'). DIY segued neatly with the by-now-paradigmatic yuppie creed and its emphasis on local, quaint, and homemade products. Underground shows, like the 'revitalized' neighborhoods of the inner city, were cleansed of their wildness and strangeness, along with their skinheads and endemic bouts of violence."
The New Republic runs an excerpt from Ian F. Svenonius's 2015 book Censorship Now!!