"Hayes deconstructed his cover songs, using their melodies merely as suggestions to elongate and twist. Then, he shocked the tunes with the psychedelic guitar distortions of a then teenaged Michael Toles. Over these oceanic songs, Hayes treated his backup singers as either sirens or witnesses, luring and mirroring him in equal measure. He also employed plush orchestrations, in the process patenting a style that would become his signature–symphonic soul."
Jim Farber at The Guardian revisits Isaac Hayes's Hot Buttered Soul.
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