"'I think movies are going through a painful transitional period,' said Masters, who is now a correspondent for National Public Radio. 'Studios are trying to figure out how to function in the digital world. I have to think the mogul classes today are not as attractive and larger-than-life. Eisner. Barry Diller. These were big characters who were running the studios. They were not so much suits as they are today. They were business guys, but they still had that old Hollywood [swagger]. They were not little cogs in giant machines.'"
"Now, she noted, the studio chiefs are more corporate and less outlaw."
The Los Angeles Times discusses the end of Premiere magazine's print edition.
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