Ben Davis at The Guardian considers the results of recent primary elections.
Thursday, June 25, 2026
"A Leftist Wave Is Cresting Across the Country"
Ben Davis at The Guardian considers the results of recent primary elections.
Tuesday, April 14, 2026
Let's Dance
Jonathan Eig at AudioPhix marks the fiftieth anniversary of Ramones.
Saturday, January 10, 2026
The Left Wing of the Possible?
Tuesday, December 09, 2025
Sweet Neo Cons
David Brooks at The Atlantic argues that "[t]he neocons were right."
Monday, June 23, 2025
"Three Ms Are Key: Messaging, Medium and Movement"
Holly Otterbein at Politco gets Bernie Sanders's reaction to Mamdani's success.
And Anita Chabria wonders at the Los Angeles Times about what the NYC primary means for the Democratic Party.
Monday, June 16, 2025
"A Farce Masquerading as Serious Political Theater"
Michael Ian Black at The Daily Beast marks ten years since Donald Trump announced his candidacy for US president.
Monday, February 10, 2025
"Blame Jane Jacobs"
Sunday, December 01, 2024
How High Is the Water Mama?
Thursday, November 14, 2024
"The Defendant Is Too Popular?"
Timothy Noah at The New Republic writes: "Jail Trump for One Week."
Thursday, May 30, 2024
"This Is What Justice Looks Like"
At The Bulwark, Jonathan V. Last reacts to Donald Trump's fraud trial in New York.
Friday, August 04, 2023
You Don't Stop
"There's scant documentation of Cindy and Herc's parties to help discern the truth. Index cards promoting a few of them survive, but the widely replicated one purporting to plug the Aug. 11 event is now understood to be a reconstruction, not the genuine article. Rob Swift, a renowned DJ who has taught hip-hop at The New School in New York, has been collecting audio and video artifacts of early parties since he was a child. 'I have never seen a video or heard a recording of Herc employing this Merry Go Round technique,' he told me. 'There's no visual proof. There's no audio proof. It's just narratives. It's dogma.' Meanwhile, there's abundant evidence of Flash's work. Says Swift: 'Looping a break…the whole idea of using the turntable like a drummer uses the drum kit, that comes from Flash.' Not to mention that Flash's crew of MCs were among the first to create the more elaborate, tag-team rhyme routines that, along with Flash's turntablism, define the genre."
Dan Charnas at The Wall Street Journal asks, "Was Hip-Hop Really Invented 50 Years Ago?"
Thursday, August 03, 2023
"The New New York"
"Simply put, it's time for California to accept reality. There will never be '50 Million Californians,' as demographers have predicted for decades. Instead, the population will stall out at about 40 million. Eventually, California will fall behind Texas as the nation's most populous state, just as New York fell behind California back in the '60s."
William Fulton at Slate tells Californians to "let Arizona, Nevada, and Texas try to build prosperity based on population growth."
Tuesday, February 22, 2022
"A Political Backlash Is Brewing"
"The combative resistance is a harsh turn for a group of leaders whom progressives hailed as an electoral success story. Rising homicide and violent crime rates have even Democrats in liberal cities calling for more law enforcement, not less—forcing prosecutors to defend their policies against their own allies. And traditional boosters on the left aren't rushing to their aid, with some saying they've soured on the officials they once backed."
Astead W. Herndon at The New York Times writes that "[w]ith violent crime rates rising and elections looming, progressive prosecutors are facing resistance to their plans to roll back stricter crime policies of the 1990s."
Saturday, February 05, 2022
"Charged with Intensity"
"Gitlin remained politically involved after the '60s, but also clashed at times with fellow liberals. In the 1990s, he was critical of some of the academic debates over the literary canon and the predominance of male white writers. In his 1995 book 'The Twilight of Common Dreams: Why America Is Wracked by Culture Wars,' he alleged that the focus on what he and others called 'identity politics' was weakening the left overall, writing that while Republicans were gaining power in Washington, the left has been 'marching on the English department.'"
The Albany Times Union reports the death of Todd Gitlin.
And John Halpin at The Liberal Patriot looks back to Gitlin's 1995 book, The Twilight of Common Dreams: Why America Is Wrecked by Culture Wars.
Monday, August 16, 2021
"The Implications That the Footage Didn't Appear for Racist Reasons Does Bother Him"
"The producers' statement goes against the film's own subtitle which is, '…Or, When the Revolution Could Not Be Televised.' It was not only televised in the abovementioned markets, but in at least 15 major markets across the United States, both the first and the second weekends. Lauro verifies this with copies of articles, interviews, reviews and previews from established newspapers in those states."
Lily Moayeri at Book & Film Globe clarifies the backstory of Summer of Soul.
Tuesday, April 27, 2021
"A Second Act"
"This is New York, a town where few pleasures are sweeter than sitting in a café or on a park bench with a cup of king-hell coffee and a sheaf of prose that sets the mind to musing—and also rubs off on your fingers."
R.C. Baker announces the return of the print edition of The Village Voice.
Friday, January 01, 2021
"A Much More Ambitious Vision of a Thriving Creative Sphere"
"Artists in the middle of the twentieth century flourished not because the economy was inherently favorable to them, but as a result of powerful economic winds and the groups that joined in an attempt to harness them. Together, creative class groups wielded the crowbar of politics in an attempt to pry some autonomy out of consumer capitalism."
Robin Kaiser-Schatzlein at The New Republic reviews Shannan Clark's The Making of the American Creative Class: New York’s Culture Workers and Twentieth-Century Consumer Capitalism.
Wednesday, September 16, 2020
The Hanging Judge
"When he started assembling the repertory institution Jazz at Lincoln Center in 1987, Wynton Marsalis was advocating for the primacy of the Black aesthetic at a time when the white, Stan Kenton-to-Gary Burton lineage dominated major organizations like the Berklee College of Music and the International Association of Jazz Educators. The music of Kenton and Burton has tremendous value, but their vast institutional sway and undue influence in jazz education is part of this discussion. We needed less North Texas State (Kenton's first pedagogical initiative) and more Duke Ellington in the mix, and Marsalis almost single-handedly corrected our course–although Marsalis himself would give Crouch a lot of the credit. Indeed, Crouch's long-running internal mandate to get Ellington seen as 'Artist of the Century' had finally paid off on a macro level, and the free high school program 'Essentially Ellington' is one of JALC's most noble achievements. "Crouch and Marsalis also strove to bury the once-prevalent idea that Louis Armstrong was an Uncle Tom, and encouraged the Black working class to reclaim the jazz greats as crucial to their heritage. (Those ready to hate on Ken Burns's Jazz should keep that perspective in mind.)"
Ethan Iverson at NPR writes an obit for Stanley Crouch.
Friday, September 11, 2020
"Rest of Country Temporarily Feels Deep Affection for New York"
Brian VanHooker at Mel presents "An Oral History of The Onion's 9/11 Issue."
Wednesday, August 26, 2020
"Encouragement to Irrational Optimism"
Brent Orrell at The Bulwark discusses Norman Vincent Peale's influence on Donald Trump.
And at The Conversation, Kristin Kobes Du Mez explores why white Evangelical Protestants support Trump.