Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, July 30, 2026

July 2026 Acquisitions

Books:
Jane Austen, Northanger Abbey, 2024.
Ed Brubaker and Sean Phillips, Five Gears in Reverse: A Criminal Book, 2026.
Warren Ellis and Bryan Hitch, The Authority: Relentless, 2025.
Gustave Flaubert, Madame Bovary, 2005.
Reuel Golden, New York: Portrait of a City, 2025.

Movies:
Michael, 2026.

Music:
Angine de Poitrine, Vol. II, 2026.
Little Barrie, Gravity Freeze, 2026.
Madonna, Confessions II, 2026.
Bobby Womack, J.J. Johnson, Across 110th Street, 1972.

Wednesday, July 22, 2026

"A Cesspool of Prissy Repression and Recklessly Moronic Freedom That Now Stands as an Embarrassment to One and All"

"Like every decade, the '90s had its cathartic heights. And like the '60s, it seemed like a period in which the culture was moving forward, albeit fitfully, toward a more progressive, enlightened future, at least in our fuzz-pedal-hazy minds. But it was also a decade of repulsive depths, craven money-grabs, and Pauly Shore's film career."

Charles Aaron in a 2013 Spin article presents "The 50 Worst Moments of the '90s."

Tuesday, June 30, 2026

June 2026 Acquisitions

Books:
Andy Diggle and Jock, Green Arrow: Year One, 2026.
Grant Morrison and Frank Quitely, We3, 2025.

Music:
Graham Coxon, Castle Park, 2026.
Haircut 100, Boxing the Compass, 2026.
Heavy Stereo, "Sleep Freak," 1995.
John Lennon and Yoko Ono, Wedding Album, 1969.
Madonna, Finally Enough Love, 2022.
Molotovs, Wasted on Youth, 2026.

Sunday, May 31, 2026

May 2026 Acquisitions

Books:
Jeph Loeb et al, Superman/Batman, 2025.

Movies:

Music:
Black Keys, Peaches!, 2026.
Gorillaz, The Mountain, 2026.
Graham Bond Organisation, The Sound Of '65/There's A Bond Between Us, 1999.
Social Distortion, Born to Kill, 2026.
Paul Weller, Weller at the BBC (Vol. 2), 2026.

"PBS-ification"

"But it is noticeable that as the folk memory of punk and of the mid-Sixties and rock'n'roll, has faded,  so too is that distrust of art that Marcus wrote about approvingly, that Drummond enacted, that Bangs took for granted...
Gradually there has been a growing resignation towards the very thing that Nik Cohn found intolerable–the division between industrialised chartpop, brainless if entertaining trash, and a separate zone of 'fine music', which is totally comfortable with seeing itself as art."

Simon Reynolds presents a transcript of a talk he made at Harvard University in 2012.

Thursday, April 30, 2026

April 2026 Acquisitions

Books:
Brian Michael Bendis, Goldfish, 2022.
Amanda Conner and Jimmy Palmiotti, Harley Quinn: Wild at Heart, 2025.
Anthony O'Hear and Judy Groves, Introducing Jesus: A Graphic Guide, 2015.
Frank Norris, McTeague: A Story of San Francisco, 1899, 1964.

Movies:
M, 1931.

Music:
Bangs and Talbot, Smokin' Aces, 2026.
British Electric Foundation, Music Of Quality And Distinction Volume One, 1982, 1991.
Dr Feelgood, Sneakin' Suspicion, 1977, 2025.
Hot Chocolate, An Introduction to Hot Chocolate, 2017.
Steve White Trio, Soul Drums, 2026.

Tuesday, April 14, 2026

Let's Dance

"That's what birthed punk rock. Not anarchy but ennui. The energy had to go somewhere. It went into a fast, urgent 'One, two, three, four…'"

Jonathan Eig at AudioPhix marks the fiftieth anniversary of Ramones.

And Simon Price at The Quietus discusses the Ramones' impact in Britain.

Tuesday, March 31, 2026

March 2026 Acquisitions

Books:
David Avallone et al, Elvira in Monsterland, 2024.
David Avallone et al, Elvira Meets H.P. Lovecraft, 2024.
Bertolt Brecht, The Good Woman of Setzuan, 1999.
Garth Ennis et al, Punisher: Welcome Back, Frank, 2026.
Jonathan Hickman et al, Ultimate Spider-Man Vol. 2: The Paper, 2025.
Jane Hope and Borin Van Loon, Introducing Buddha: A Graphic Guide, 2008.
Jim McCarthy and Kevin Cross, Living for Kicks: A Mods Graphic Novel, 2016.
Kim Ostrow and Tim Jessell, Harrison Ford: A Little Golden Book Biography, 2025.

Movies:

Music:
Beatles, 1967-1970, 1973, 2023.
Brigitte Calls Me Baby, Irreversible, 2026.
Cast, Yeah Yeah Yeah, 2026.
Chosen Gospel Singers, The Lifeboat, 1992.
Waylon Jennings, Willie Nelson, Jessi Colter, Tompall Glaser, Wanted! The Outlaws (1976-1996 20th Anniversary), 1996.
World Party, Egyptology, 1997.

Thursday, February 26, 2026

Saturday, January 31, 2026

January 2026 Acquisitions

Books:
Bonnie Bader and Sue Cornelison, Martin Luther King Jr.: A Little Golden Book Biography, 2018.
James Ellroy and Glynn Martin, LAPD '53, 2015.
Albert B. Feldstein (ed.), The Invisible MAD, 1975.
Johann Wolfgang von Goethe, The Sorrows of Young Werther and Selected Stories, 1962.
Torunn Gronbekk et al, Catwoman Vol. 2: Never Let Them Smell Blood, 2025.
Owen King et al, Self Help, 2025.
Cynthia Von Buhler, Minky Woodcock: The Girl Called Cthulhu, 2025.
The EC Archives: Crime SuspenStories Volume 2, 2024.

Movies:
Barb Wire, 1996.

Music:
Bix Beiderbecke, Volume 1: Singin' the Blues, 1990. 
Chills, Soft Bomb, 1992.
Dr. Feelgood, Stupidity, 1976, 2025.
Ferris Wheel, Can't Break the Habit, 2000.
Roberta Flack, The Best of Roberta Flack, 1981.
Curtis Harding, Face Your Face, 2017.
Edwin Hawkins Singers, Oh Happy Day, 2001.
Human League, Greatest Hits, 1988.
Yoko Ono, Plastic Ono Band, 1970.
Various, Mod Anthems Volume 2, 2016.
Various, Tonite Let's Make Love in London, 1968, 2016.

Tuesday, January 20, 2026

"An Optimistic Cultural Renaissance Will Have to Precede Political Reform"

"But now, I wonder if my notion of culture being grounded in music or film has been eclipsed by the culture of the algorithm. For the past 10 years, in books like Move Fast and Break Things and The End of Reality, I have been writing about how a few tech billionaires have built unimagined fortunes by destroying our culture. The technocrats are well-known: Musk, Mark Zuckerberg, Peter Thiel, Marc Andreessen, Jeff Bezos, Sam Altman. The project of 'disruption' these men championed at the dawn of the digital age has ended with the immiseration of musicians, journalists, and photographers."

Jonathan Taplin at Rolling Stone asks, "Can the Counterculture Rise Again?"

Wednesday, December 31, 2025

2025 Favorites

The Late Adopter selects...
Albums:
Mavis Staples--Sad and Beautiful World (Anti-) 
Tom Meighan--Roadrunner (Townsend) 
Royel Otis--Hickey (Capitol)  
Wet Leg--Moisturizer (Domino) 
Kendrick Lamar--GNX (Interscope)
Dropkick Murphys--For the People (Dummy Luck) 
Franz Ferdinand--The Human Fear (Domino)  
Stereolab--Instant Holograms on Metal Film (Duophonic)
Paul Weller--Find El Dorado (Parlophone)

Songs:
Mavis Staples--'Sad and Beautiful World'
Tom Meighan--'Silver Linings'
Curtis Harding--'There She Goes'
Royel Otis--'Car'
Kendrick Lamar--'Squabble Up'   
Wet Leg--'Liquidize'
Tame Impala--'My Old Ways'
Chills--'Dolphins'
Paul Weller--'White Line Fever'

December 2025 Acquisitions

Books:
Charles Ardai et al, Heat Seeker: Combustion Vol. 2, 2025.
Emily Brontë, Wuthering Heights, 1847, 1996.
David Graeber and David Wengrow, The Dawn of Everything: A New History of Humanity, 2021.

Movies:
To Be or Not to Be, 1942.

Wednesday, December 24, 2025

"The Goddess of Go-Go"

"Now she lives alone in 'a wonderful house in Los Angeles' with her five cats and her dance studio next door. She still teaches students, judges street dance competitions globally and is regarded as a legend in the field. And she still hears Mickey echoing through the culture: in movies (most recently Die My Love), and in songs by the likes of Run DMC (It's Tricky), Gwen Stefani (Hollaback Girl), Taylor Swift (Shake It Off), Charli xcx (Speed Drive) and, most recently, Blackpink singer Ros'’s hit single with Bruno Mars, Apt. 'It's kind of an anthem now. Here in America, if you're a little cheerleader, you're dancing to it.'"

Sunday, November 30, 2025

November 2025 Acquisitions

Books:
Ed Brubaker and Sean Phillips, The Knives, 2025.
R.K. Gordon, Beowulf, 1992.
Robert Inchausti (Ed.), The Pocket Thomas Merton, 2017.
Nicole Johnson, Pirates of the Caribbean, 2023.
Ziauddin Sardar and Borin Van Loon, Introducing Cultural Studies: A Graphic Guide, 2010.

Music:
Ivy, Traces of You, 2025.
Spinal Tap, The End Continues, 2025.
Mavis Staples, Sad and Beautiful World, 2025
Tame Impala, Deadbeat, 2025.

Friday, October 31, 2025

October 2025 Acquisitions

Books:
Dave Dwonch and Travis Hymel, The Loose End, 2025.
Jeffrey Weinstock, The Rocky Horror Picture Show, 2007.

Movies:

Music:
Richard Ashcroft, Lovin' You, 2025.
Black Keys, No Rain, No Flowers, 2025.
Dropkick Murphys, For the People, 2025.
Lords of the New Church, Killer Lords, 1993.
Royel Otis, Hickey, 2025.
Saint Etienne, International, 2025.

Sunday, September 28, 2025

"It's Worth Reconsidering"

"Some of these old standards will feel alien to zoomers and alphas. In his 2022 book The Nineties, the critic Chuck Klosterman explores the decade's hostility towards 'selling out,' which he calls “the single most nineties aspect of the nineties'. Selling out involved a respected artist deciding to make work that was more 'palatable' and therefore more commercially viable. By 2010, says Klosterman, 'it was hard to illustrate to a young person why this act was once seen as problematic; by 2020 it was difficult to explain what the term literally expressed'."

Rachel Aroesti at The Guardian calls for a return of "cultural snobbery."

Sunday, August 31, 2025

August 2025 Acquisitions

Books:
Horace Clarence Boyer and Lloyd Yearwood, The Golden Age of Gospel, 2000.

Music:
Chairmen of the Board, The Best of Chairmen of the Board, 2002.
Chi-Lites, The Best of the Chi-Lites, 2007.
Dr. Feelgood, Down by the Jetty, 1975, 2025.
Aretha Franklin, Live at Fillmore West, 1971.
Franz Ferdinand, The Human Fear, 2025.
Randy Newman, The Natural, 1984.
Wet Leg, Moisterizer, 2025.

Friday, August 29, 2025

"It's Nice to Hear Someone Do Something Different"

"The real reason that indie started to die, or at least felt as though it did, is Spotify. As streaming supplanted downloads and album sales, it automated music discovery. Instead of reading Pitchfork or asking a record-store clerk for recommendations, more and more people began to let algorithms suggest their next obsession. This had a variety of consequences. One is that it's become harder than ever for challenging music—music that you need to listen to a few times in order to love—to gain a foothold. The prestige associated with doing something different has started to fade."

Spencer Kornhaber at The Atlantic reviews Chris DeVille's Such Great Heights: The Complete History of the Indie Rock Explosion.