Showing posts with label 1990s. Show all posts
Showing posts with label 1990s. Show all posts

Wednesday, September 30, 2026

Monday, August 31, 2026

Thursday, July 30, 2026

July 2026 Acquisitions

Books:
Jane Austen, Northanger Abbey, 2024.
Ed Brubaker and Sean Phillips, Five Gears in Reverse: A Criminal Book, 2026.
Warren Ellis and Bryan Hitch, The Authority: Relentless, 2025.
Gustave Flaubert, Madame Bovary, 2005.
Reuel Golden, New York: Portrait of a City, 2025.

Movies:
Michael, 2026.

Music:
Angine de Poitrine, Vol. II, 2026.
Little Barrie, Gravity Freeze, 2026.
Madonna, Confessions II, 2026.
Bobby Womack, J.J. Johnson, Across 110th Street, 1972.

Wednesday, July 22, 2026

"A Cesspool of Prissy Repression and Recklessly Moronic Freedom That Now Stands as an Embarrassment to One and All"

"Like every decade, the '90s had its cathartic heights. And like the '60s, it seemed like a period in which the culture was moving forward, albeit fitfully, toward a more progressive, enlightened future, at least in our fuzz-pedal-hazy minds. But it was also a decade of repulsive depths, craven money-grabs, and Pauly Shore's film career."

Charles Aaron in a 2013 Spin article presents "The 50 Worst Moments of the '90s."

Tuesday, June 30, 2026

June 2026 Acquisitions

Books:
Andy Diggle and Jock, Green Arrow: Year One, 2026.
Grant Morrison and Frank Quitely, We3, 2025.

Music:
Graham Coxon, Castle Park, 2026.
Haircut 100, Boxing the Compass, 2026.
Heavy Stereo, "Sleep Freak," 1995.
John Lennon and Yoko Ono, Wedding Album, 1969.
Madonna, Finally Enough Love, 2022.
Molotovs, Wasted on Youth, 2026.

Sunday, May 31, 2026

May 2026 Acquisitions

Books:
Jeph Loeb et al, Superman/Batman, 2025.

Movies:

Music:
Black Keys, Peaches!, 2026.
Gorillaz, The Mountain, 2026.
Graham Bond Organisation, The Sound Of '65/There's A Bond Between Us, 1999.
Social Distortion, Born to Kill, 2026.
Paul Weller, Weller at the BBC (Vol. 2), 2026.

Thursday, April 30, 2026

April 2026 Acquisitions

Books:
Brian Michael Bendis, Goldfish, 2022.
Amanda Conner and Jimmy Palmiotti, Harley Quinn: Wild at Heart, 2025.
Anthony O'Hear and Judy Groves, Introducing Jesus: A Graphic Guide, 2015.
Frank Norris, McTeague: A Story of San Francisco, 1899, 1964.

Movies:
M, 1931.

Music:
Bangs and Talbot, Smokin' Aces, 2026.
British Electric Foundation, Music Of Quality And Distinction Volume One, 1982, 1991.
Dr Feelgood, Sneakin' Suspicion, 1977, 2025.
Hot Chocolate, An Introduction to Hot Chocolate, 2017.
Steve White Trio, Soul Drums, 2026.

Tuesday, March 31, 2026

March 2026 Acquisitions

Books:
David Avallone et al, Elvira in Monsterland, 2024.
David Avallone et al, Elvira Meets H.P. Lovecraft, 2024.
Bertolt Brecht, The Good Woman of Setzuan, 1999.
Garth Ennis et al, Punisher: Welcome Back, Frank, 2026.
Jonathan Hickman et al, Ultimate Spider-Man Vol. 2: The Paper, 2025.
Jane Hope and Borin Van Loon, Introducing Buddha: A Graphic Guide, 2008.
Jim McCarthy and Kevin Cross, Living for Kicks: A Mods Graphic Novel, 2016.
Kim Ostrow and Tim Jessell, Harrison Ford: A Little Golden Book Biography, 2025.

Movies:

Music:
Beatles, 1967-1970, 1973, 2023.
Brigitte Calls Me Baby, Irreversible, 2026.
Cast, Yeah Yeah Yeah, 2026.
Chosen Gospel Singers, The Lifeboat, 1992.
Waylon Jennings, Willie Nelson, Jessi Colter, Tompall Glaser, Wanted! The Outlaws (1976-1996 20th Anniversary), 1996.
World Party, Egyptology, 1997.

Thursday, February 26, 2026

Saturday, January 31, 2026

January 2026 Acquisitions

Books:
Bonnie Bader and Sue Cornelison, Martin Luther King Jr.: A Little Golden Book Biography, 2018.
James Ellroy and Glynn Martin, LAPD '53, 2015.
Albert B. Feldstein (ed.), The Invisible MAD, 1975.
Johann Wolfgang von Goethe, The Sorrows of Young Werther and Selected Stories, 1962.
Torunn Gronbekk et al, Catwoman Vol. 2: Never Let Them Smell Blood, 2025.
Owen King et al, Self Help, 2025.
Cynthia Von Buhler, Minky Woodcock: The Girl Called Cthulhu, 2025.
The EC Archives: Crime SuspenStories Volume 2, 2024.

Movies:
Barb Wire, 1996.

Music:
Bix Beiderbecke, Volume 1: Singin' the Blues, 1990. 
Chills, Soft Bomb, 1992.
Dr. Feelgood, Stupidity, 1976, 2025.
Ferris Wheel, Can't Break the Habit, 2000.
Roberta Flack, The Best of Roberta Flack, 1981.
Curtis Harding, Face Your Face, 2017.
Edwin Hawkins Singers, Oh Happy Day, 2001.
Human League, Greatest Hits, 1988.
Yoko Ono, Plastic Ono Band, 1970.
Various, Mod Anthems Volume 2, 2016.
Various, Tonite Let's Make Love in London, 1968, 2016.

Saturday, January 24, 2026

"A Cautionary Tale, Not a Triumphal One"

"This dark history has a happy ending, sort of. The Environmental Protection Agency began forcing smelting companies to install pollution controls in the 1970s. The EPA's phaseout of leaded gasoline, fought by oil company lawsuits for years, was basically complete by the mid-1980s. Blood lead levels in the population dropped 78 percent from 1976 to 1991, and crime rates began dropping dramatically in 1992. The correlation was so close it gave rise to a 'lead-crime hypothesis' among epidemiologists. The nationwide number of serial killers, whose average age is 22, dropped, too, from 669 in the 1990s to 117 by the decade ending in 2020; a 2007 analysis concluded that there was a 'robust' connection between childhood lead exposure and violent crime. Whatever inborn tendency to serial murder that seems to exist in some men may have lost its environmental trigger."

In a 2025 Washington Post article, Wendy Smith reviews Caroline Fraser's Murderland: Crime and Bloodlust in the Time of Serial Killers.

Sunday, November 30, 2025

November 2025 Acquisitions

Books:
Ed Brubaker and Sean Phillips, The Knives, 2025.
R.K. Gordon, Beowulf, 1992.
Robert Inchausti (Ed.), The Pocket Thomas Merton, 2017.
Nicole Johnson, Pirates of the Caribbean, 2023.
Ziauddin Sardar and Borin Van Loon, Introducing Cultural Studies: A Graphic Guide, 2010.

Music:
Ivy, Traces of You, 2025.
Spinal Tap, The End Continues, 2025.
Mavis Staples, Sad and Beautiful World, 2025
Tame Impala, Deadbeat, 2025.

Friday, October 31, 2025

October 2025 Acquisitions

Books:
Dave Dwonch and Travis Hymel, The Loose End, 2025.
Jeffrey Weinstock, The Rocky Horror Picture Show, 2007.

Movies:

Music:
Richard Ashcroft, Lovin' You, 2025.
Black Keys, No Rain, No Flowers, 2025.
Dropkick Murphys, For the People, 2025.
Lords of the New Church, Killer Lords, 1993.
Royel Otis, Hickey, 2025.
Saint Etienne, International, 2025.

Sunday, August 31, 2025

August 2025 Acquisitions

Books:
Horace Clarence Boyer and Lloyd Yearwood, The Golden Age of Gospel, 2000.

Music:
Chairmen of the Board, The Best of Chairmen of the Board, 2002.
Chi-Lites, The Best of the Chi-Lites, 2007.
Dr. Feelgood, Down by the Jetty, 1975, 2025.
Aretha Franklin, Live at Fillmore West, 1971.
Franz Ferdinand, The Human Fear, 2025.
Randy Newman, The Natural, 1984.
Wet Leg, Moisterizer, 2025.

Friday, August 29, 2025

"It's Nice to Hear Someone Do Something Different"

"The real reason that indie started to die, or at least felt as though it did, is Spotify. As streaming supplanted downloads and album sales, it automated music discovery. Instead of reading Pitchfork or asking a record-store clerk for recommendations, more and more people began to let algorithms suggest their next obsession. This had a variety of consequences. One is that it's become harder than ever for challenging music—music that you need to listen to a few times in order to love—to gain a foothold. The prestige associated with doing something different has started to fade."

Spencer Kornhaber at The Atlantic reviews Chris DeVille's Such Great Heights: The Complete History of the Indie Rock Explosion.

Saturday, August 23, 2025

"A Signifier of Something Beyond Music"

"If you buy the idea that what the Britpop brand represents is optimism, positivity and youth culture winning without compromise then you can see its appeal to a 17-year-old in 2025. Who wouldn't hanker after the notion of a prelapsarian world before the scrutiny of social media, 9/11, the rise of the 'alt-right' et al? And the era’s 'fuck you, we're gonna have a good time' excesses look alluring in an age of wellness influencers and constant cameraphone surveillance."

Alexis Petridis at The Guardian attempts to "explain why we're all still in thrall to the ​m​ad-fer-it 90s."

And Chris DeVille at Stereogum writes after a Chicago concert that, "at long last, Oasis have conquered America."

While Steven Zeitchik at The Hollywood Reporter says that "Oasis Just Glitched the Algorithm."

And Alex Edelman at Rolling Stone describes an Oasis reunion concert as a "religious experience, if the religion was 'football hooligan.'"

Monday, July 21, 2025

"But What Made His Art So Popular?"

"Kinkade's most famous subject was the humble cottage, lit from within by unsettling candlelight. Former Evangelicals may also recall the Bridge of Hope, which spans a creek and heads nowhere. A white dogwood tree stands nearby, a 'symbol of the purity of God’s grace,' according to the Kinkade company's website. Kinkade created a world that some people, maybe even millions of people, wanted to inhabit. Though he was a Christian and his work often contained religious imagery, his art did not proselytize so much as it advertised an alternative reality where proselytization was no longer necessary. In Kinkade-land, everything is serene. There is cohesion. Grandmothers love his pink skies and cobblestone paths. Even today I can close my eyes and imagine a Kinkade abode, squatting underneath some eldritch sunset. A Kinkade landscape is often lifeless. There are few human beings, and fewer complications. Sometimes Jesus appears; other times he is more of a suggestion. Sometimes the paintings light up, literally, as if the artist wanted to burn holes in our retinas."

Sarah Jones at Dissent discusses Art for Everybody, a documentary about Thomas Kinkade.

Saturday, May 31, 2025