Jonathan Freedland at The Guardian marks the debut of 70 Up.
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts
Sunday, September 27, 2026
"A Document of Our Times"
"In the latest film, we learn that Symon and his wife became foster parents, not just once or twice but, over the decades, to a staggering 130 children. As Symon said of his own children when he was 28, 'They've got everything. They've got a father.' The animating premise of each of the Up films was the old Jesuit saying: 'Give me a child until he is seven, and I will give you the man.' There turns out to be great truth in that, a truth far more profound than the political point the film-makers first set out to prove."
Labels:
Britain,
history,
middle age,
movies,
old age,
sociology,
television,
twentieth century,
twenty-first century,
youth
Monday, August 31, 2026
August 2026 Acquisitions
Books:
Steven Beeber, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk, 2008.
Torunn Grønbekk et al, Catwoman Vol. 3: Court of Fools, 2026.
Music:
Beatles, Anthology 4, 2025.
Paul Carrack, Twenty-One Good Reasons: The Paul Carrack Collection, 1994.
Charli XCX, Music, Fashion, Film, 2026.
Damned, Not Like Everybody Else, 2026.
Lemon Twigs, Look for Your Mind!, 2026.
Squeeze, Trixies, 2026.
Womack Sisters, The Womack Sisters, 2026.
Thursday, July 30, 2026
July 2026 Acquisitions
Books:
Jane Austen, Northanger Abbey, 2024.
Ed Brubaker and Sean Phillips, Five Gears in Reverse: A Criminal Book, 2026.
Warren Ellis and Bryan Hitch, The Authority: Relentless, 2025.
Gustave Flaubert, Madame Bovary, 2005.
Reuel Golden, New York: Portrait of a City, 2025.
Chris Robinson (ed.), All-Negro Comics: America's First Black Comic Book, 2025.
Music:
Angine de Poitrine, Vol. II, 2026.
Little Barrie, Gravity Freeze, 2026.
Dyke and the Blazers, The Funky Broadway: The Very Best of Dyke & the Blazers, 1999.
Madonna, Confessions II, 2026.
Raye, This Music May Contain Hope, 2026.
Bobby Womack, J.J. Johnson, Across 110th Street, 1972.
Various, The Best of Blaxploitation, 1999.
Various, Digging Your Scene: New Pop and All That Jazz 1982-1987, 2026.
Various, In the Beginning There Was Rhythm, 2001.
Tuesday, June 30, 2026
June 2026 Acquisitions
Books:
Charles Ardai et al. Heat Seeker: Exposed--A Gun Honey Series Vol. 3, 2026.
Andy Diggle and Jock, Green Arrow: Year One, 2026.
Grant Morrison and Frank Quitely, We3, 2025.
Ben Rhodes, All We Say: The Battle for American Identity--A History in 15 Speeches, 2026.
Various, Elseworlds: Batman Vol. 3, 2018.
Music:
Don Covay, Mercy Mercy: The Definitive Don Covay, 1994.
Graham Coxon, Castle Park, 2026.
Haircut 100, Boxing the Compass, 2026.
Heavy Stereo, "Sleep Freak," 1995.
John Lennon and Yoko Ono, Wedding Album, 1969.
Madonna, Finally Enough Love, 2022.
Molotovs, Wasted on Youth, 2026.
Paul Young, From Time to Time: The Singles Collection, 1991.
Various, Super Bad on Celluloid: Music from '70s Black Cinema, 1998.
Sunday, May 31, 2026
May 2026 Acquisitions
Books:
Jeph Loeb et al, Superman/Batman, 2025.
Movies:
Music:
Black Keys, Peaches!, 2026.
Gorillaz, The Mountain, 2026.
Graham Bond Organisation, The Sound Of '65/There's A Bond Between Us, 1999.
Social Distortion, Born to Kill, 2026.
Paul Weller, Weller at the BBC (Vol. 2), 2026.
Wednesday, May 20, 2026
"A Luminous Quality That Can Be Almost Blinding"
"You can hardly blame Monroe for being overwhelmed by her own image. In her lifetime, she was far and away the most photographed woman in the world, which is another way of saying that she was the most desired. Marilyn Monroe became a movie star in the years following World War II and died just before the social movements of the 1960s permanently altered the face of the nation. Her career was almost exactly contemporaneous with the '50s, that decade of unparalleled American prosperity and power."
Moira Donegan at Bookforum reviews Marilyn Monroe 100: The Official Centenary Book.
Labels:
1950s,
1960s,
books,
cultural history,
Marilyn Monroe,
movies,
photography,
twentieth century
Thursday, April 30, 2026
April 2026 Acquisitions
Books:
Brian Michael Bendis, Goldfish, 2022.
Amanda Conner and Jimmy Palmiotti, Harley Quinn: Wild at Heart, 2025.
Anthony O'Hear and Judy Groves, Introducing Jesus: A Graphic Guide, 2015.
Frank Norris, McTeague: A Story of San Francisco, 1899, 1964.
Movies:
Big Bad Mama/Big Bad Mama II, 1999.
Earth Girls Are Easy, 1988.
Ilsa: She Wolf of the SS, 1975.
Lethal Ladies 2, 1999.
M, 1931.
Music:
Bangs and Talbot, Smokin' Aces, 2026.
British Electric Foundation, Music Of Quality And Distinction Volume One, 1982, 1991.
DJ Quik, Platnium & Gold Collection, 2004.
Dr Feelgood, Sneakin' Suspicion, 1977, 2025.
Hot Chocolate, An Introduction to Hot Chocolate, 2017.
Sly and the Family Stone, The First Family: Live at Winchester Cathedral 1967, 2025.
Smothers Brothers, Sibling Revelry: The Best of the Smothers Brothers, 1988.
Steve White Trio, Soul Drums, 2026.
Tuesday, March 31, 2026
March 2026 Acquisitions
Books:
David Avallone et al, Elvira in Monsterland, 2024.
David Avallone et al, Elvira Meets H.P. Lovecraft, 2024.
Bertolt Brecht, The Good Woman of Setzuan, 1999.
Garth Ennis et al, Punisher: Welcome Back, Frank, 2026.
Jonathan Hickman et al, Ultimate Spider-Man Vol. 2: The Paper, 2025.
Jane Hope and Borin Van Loon, Introducing Buddha: A Graphic Guide, 2008.
Jim McCarthy and Kevin Cross, Living for Kicks: A Mods Graphic Novel, 2016.
Kim Ostrow and Tim Jessell, Harrison Ford: A Little Golden Book Biography, 2025.
The Pocket Beatles, 2026.
Movies:
Music:
Beatles, 1967-1970, 1973, 2023.
Brigitte Calls Me Baby, Irreversible, 2026.
Cast, Yeah Yeah Yeah, 2026.
Chosen Gospel Singers, The Lifeboat, 1992.
Waylon Jennings, Willie Nelson, Jessi Colter, Tompall Glaser, Wanted! The Outlaws (1976-1996 20th Anniversary), 1996.
Mitski, Nothing's About to Happen to Me, 2026.
World Party, Egyptology, 1997.
Saturday, February 07, 2026
"Talent Still Calls California Home"
"Recent comparisons to Detroit misunderstand what makes each city remarkable. The Motor City's decline was largely due to companies offshoring innovation to cheaper factories abroad. Los Angeles' challenge is the opposite: an overabundance of innovation that is decentralizing faster than anyone expected. The industry is not dying; it is diversifying."
Labels:
2020s,
California,
cultural history,
economics,
Los Angeles,
movies,
technology,
twenty-first century
Saturday, January 31, 2026
January 2026 Acquisitions
Books:
Bonnie Bader and Sue Cornelison, Martin Luther King Jr.: A Little Golden Book Biography, 2018.
James Ellroy and Glynn Martin, LAPD '53, 2015.
Albert B. Feldstein (ed.), The Invisible MAD, 1975.
Johann Wolfgang von Goethe, The Sorrows of Young Werther and Selected Stories, 1962.
Torunn Gronbekk et al, Catwoman Vol. 2: Never Let Them Smell Blood, 2025.
Owen King et al, Self Help, 2025.
Cynthia Von Buhler, Minky Woodcock: The Girl Called Cthulhu, 2025.
The EC Archives: Crime SuspenStories Volume 2, 2024.
Bix Beiderbecke, Volume 1: Singin' the Blues, 1990.
Chills, Soft Bomb, 1992.
Dr. Feelgood, Stupidity, 1976, 2025.
Ferris Wheel, Can't Break the Habit, 2000.
Roberta Flack, The Best of Roberta Flack, 1981.
Curtis Harding, Face Your Face, 2017.
Edwin Hawkins Singers, Oh Happy Day, 2001.
Human League, Greatest Hits, 1988.
Yoko Ono, Plastic Ono Band, 1970.
Pachelbel, Greatest Hits and Other Baroque Favorites, 2003.
Jimmy Page, Jimmy's Back Pages... the Early Years, 1992.
Sex Pistols, The Great Rock 'N' Roll Swindle, 1979.
Various, Hang the DJ: Modern Rock 1987, 1996.
Various, Mod Anthems Volume 2, 2016.
Various, Tonite Let's Make Love in London, 1968, 2016.
Wednesday, December 31, 2025
December 2025 Acquisitions
Books:
Charles Ardai et al, Heat Seeker: Combustion Vol. 2, 2025.
Emily Brontë, Wuthering Heights, 1847, 1996.
David Graeber and David Wengrow, The Dawn of Everything: A New History of Humanity, 2021.
Charles Ardai et al, Heat Seeker: Combustion Vol. 2, 2025.
Emily Brontë, Wuthering Heights, 1847, 1996.
David Graeber and David Wengrow, The Dawn of Everything: A New History of Humanity, 2021.
Music:
Bangs & Talbot, Back to Business, 2022.
Buckingham Nicks, Buckingham Nicks, 1973, 2025.
Mavericks, 20th Century Masters--The Millennium Collection: The Best of the Mavericks, 2001.
Various, Praise Be! Boarding The Gospel Train, In Thrall of The Lord Lux and Ivy Dig the God-Fearing Nation, 2025.
Sunday, December 28, 2025
And God Created Bardot
Labels:
1950s,
1960s,
cultural history,
France,
movies,
obituaries,
twentieth century
Wednesday, December 24, 2025
"The Goddess of Go-Go"
"Now she lives alone in 'a wonderful house in Los Angeles' with her five cats and her dance studio next door. She still teaches students, judges street dance competitions globally and is regarded as a legend in the field. And she still hears Mickey echoing through the culture: in movies (most recently Die My Love), and in songs by the likes of Run DMC (It's Tricky), Gwen Stefani (Hollaback Girl), Taylor Swift (Shake It Off), Charli xcx (Speed Drive) and, most recently, Blackpink singer Ros'’s hit single with Bruno Mars, Apt. 'It's kind of an anthem now. Here in America, if you're a little cheerleader, you're dancing to it.'"
Steve Rose at The Guardian talks with Toni Basil.
Labels:
1960s,
1970s,
1980s,
cultural history,
dance,
movies,
music,
twentieth century
Sunday, November 30, 2025
November 2025 Acquisitions
Books:
Ed Brubaker and Sean Phillips, The Knives, 2025.
R.K. Gordon, Beowulf, 1992.
Robert Inchausti (Ed.), The Pocket Thomas Merton, 2017.
Nicole Johnson, Pirates of the Caribbean, 2023.
Ziauddin Sardar and Borin Van Loon, Introducing Cultural Studies: A Graphic Guide, 2010.
Ed Brubaker and Sean Phillips, The Knives, 2025.
R.K. Gordon, Beowulf, 1992.
Robert Inchausti (Ed.), The Pocket Thomas Merton, 2017.
Nicole Johnson, Pirates of the Caribbean, 2023.
Ziauddin Sardar and Borin Van Loon, Introducing Cultural Studies: A Graphic Guide, 2010.
Movies:
Close Encounters of the Third Kind, 1977.
Clueless, 1995.
Ferris Bueler's Day Off, 1986.
Hairspray/Pecker, 2001.
The Harder They Come, 1972.
Music:
Ivy, Traces of You, 2025.
Spinal Tap, The End Continues, 2025.
Mavis Staples, Sad and Beautiful World, 2025
Tame Impala, Deadbeat, 2025.
Friday, October 31, 2025
October 2025 Acquisitions
Books:
Nigel Benson, Introducing Psychology: A Graphic Guide, 2007.
Dave Dwonch and Travis Hymel, The Loose End, 2025.
Jeffrey Weinstock, The Rocky Horror Picture Show, 2007.
Movies:
The Last Showgirl, 2024.
Music:
Richard Ashcroft, Lovin' You, 2025.
Black Keys, No Rain, No Flowers, 2025.
Dropkick Murphys, For the People, 2025.
Hives, The Hives Forever... Forever the Hives, 2025.
Lords of the New Church, Killer Lords, 1993.
Royel Otis, Hickey, 2025.
Saint Etienne, International, 2025.
Sunday, September 28, 2025
"It's Worth Reconsidering"
"Some of these old standards will feel alien to zoomers and alphas. In his 2022 book The Nineties, the critic Chuck Klosterman explores the decade's hostility towards 'selling out,' which he calls “the single most nineties aspect of the nineties'. Selling out involved a respected artist deciding to make work that was more 'palatable' and therefore more commercially viable. By 2010, says Klosterman, 'it was hard to illustrate to a young person why this act was once seen as problematic; by 2020 it was difficult to explain what the term literally expressed'."
Rachel Aroesti at The Guardian calls for a return of "cultural snobbery."
Labels:
cultural history,
movies,
music,
sociology,
technology,
television,
twenty-first century
Thursday, August 28, 2025
"More Prolific Than Even the Hollywood Studios in Their Golden Age Peak"
"The strange paradox of the streaming era is that as the quest to personalise entertainment has continued, entertainment itself is becoming steadily more impersonal. The user, and the fantasy of unlimited choice, is king. The auteur, and singularity of perspective, are now subordinate–and the tsunami of AI threatens to wash them away completely."
Phil Hoad at The Guardian asks, "what has the Netflix algorithm done to our films?"
Labels:
2020s,
cultural history,
movies,
technology,
television,
twenty-first century
Wednesday, August 13, 2025
Have I Got an Act for You
"Provenza and I talked about that a little bit, and I said, 'It's interesting, we hear Miles Davis and Coltrane play over the same changes, but we never hear different comics tell the same joke.' That sentence was kind of revelatory."
Brian VanHooker at Cracked presents "An Oral History of 'The Aristocrats' with Penn Jillette and Paul Provenza."
Thursday, July 31, 2025
July 2025 Acquisitions
Books:
Torunn Gronbekk et al, Catwoman Vol. 1: Who Is Selina Kyle?, 2025.
Robert E. Johnson and Janet L. Bryon, Berkeley Walks, 2023.
Sven Kirsten and Peter Moruzzi, Palm Springs Tiki: Polynesia in the Desert, 2024.
Jeanne Theoharis, King of the North: Martin Luther King Jr.'s Life of Struggle Outside the South, 2025.
The Pocket Oasis, 2025.
Movies:
Don't Look Back, 1967.
Kiss Me Deadly, 1955.
Music:
Barracudas, The Complete EMI Recordings, 1990.
Fishbone, In Your Face, 1986.
Durand Jones, Flowers, 2025.
Paul Weller, Find El Dorado, 2025.
X-Ray Spex, Germfree Adolescents, 1978.
Various, Come to My World: A Brief History of Indie Pop 1985-2023, 2024.
Various, These People Are Nuts!, 1989.
Monday, July 21, 2025
"But What Made His Art So Popular?"
"Kinkade's most famous subject was the humble cottage, lit from within by unsettling candlelight. Former Evangelicals may also recall the Bridge of Hope, which spans a creek and heads nowhere. A white dogwood tree stands nearby, a 'symbol of the purity of God’s grace,' according to the Kinkade company's website. Kinkade created a world that some people, maybe even millions of people, wanted to inhabit. Though he was a Christian and his work often contained religious imagery, his art did not proselytize so much as it advertised an alternative reality where proselytization was no longer necessary. In Kinkade-land, everything is serene. There is cohesion. Grandmothers love his pink skies and cobblestone paths. Even today I can close my eyes and imagine a Kinkade abode, squatting underneath some eldritch sunset. A Kinkade landscape is often lifeless. There are few human beings, and fewer complications. Sometimes Jesus appears; other times he is more of a suggestion. Sometimes the paintings light up, literally, as if the artist wanted to burn holes in our retinas."
Sarah Jones at Dissent discusses Art for Everybody, a documentary about Thomas Kinkade.
Labels:
1990s,
art,
cultural history,
movies,
religion,
social history
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