"Echoes of Sun Ra and NOI are audible in the music of George Clinton, who must have had both in mind when he transformed Parliament from a doo-wop group into a mother-ship-worshipping acid-funk congregation in the 1970s. Clinton's mother ship, of course, was likelier to drop megatons of booty and cocaine than warheads, but hedonism wasn't the only goal. In the opening bars of 'Mother Ship Connection,' Clinton announces, "We have returned to claim the pyramids"—a nod to paleocontact theories, which hypothesize that ancient astronauts shared technological secrets with North Africans. Perceptible in this ripple of the Afronaut impulse is the yearning for and fantastical reclamation of an ennobling African history: A trip to space doubles as a return to roots."
Jonah Weiner in Slate explores the "Afronaut tradition" in black music.
Tuesday, June 24, 2008
Space Is the Place
Labels:
cultural history,
music,
race and ethnicity,
twentieth century
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