"Here was a film in which nothing is what it seems and everything seems to take place at once.
"Some declared it a milestone in the evolution of storytelling and formal filmmaking. Others saw only the emperor's new clothes--although, given the dazzling succession of Coco Chanel outfits modeled by its fashion-plate heroine, what clothes they were."
Dennis Lim in the Los Angeles Times revisits Alain Resnais's Last Year at Marienbad.
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