Monday, January 04, 2010

"These Bolshevik Balladeers"

"We did not know that the folk boom was a reverberation of an earlier boomlet, a foray into American music roots, many of whose movers and shakers were as Red as a bowl of cherries. Who on our suburban street knew that Woody Guthrie, the hero of Ramblin’ Jack Elliott and Bob Dylan, had been a columnist for the Daily Worker? Or that the man from whom we heard rollicking sea chanteys, a Briton named Ewan MacColl, was at one point kept from entering the United States as an undesirable alien? Then there was the cuddly-looking guy with the slightly pedantic six-record set and companion volume, Burl Ives Presents America’s Musical Heritage. If my parents or any of the neighbors were aware that Ives had been summoned, in 1952, to testify before the Senate Internal Security Subcommittee and had identified Pete Seeger as a communist, they kept the details to themselves."

Lauren Weiner in First Things traces the political underpinnings of the 1950s folk revival.

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