"For Burgess, and the character of the prison chaplain, it's a matter of   liberty to choose between good and evil, wherever it takes us: the author   claims to have sickened himself by having to depict such garish atrocities   to forge his argument. Kubrick talked instead about how Alex 'represents   the id, the savage repressed side of our nature which guiltlessly enjoys the   pleasures of rape', a reading for which the director had to find   rampant and joyful stylistic expression. This emphasis leaves the film open   to attack on, above all, feminist grounds: it revels in what are ecstatic   fantasies of the released id for men only, with women as titillating props."
In The Telegraph, Tim Robey marks the fortieth anniversary of Stanley Kubrick's A Clockwork Orange.
Wednesday, December 28, 2011
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