"All the talk in 'Too Late Blues' of integrity and authenticity seems even more
significant in light of the career Cassavetes went on to forge. Despite a
certain mannered slickness, the film is proof of his inability, even under clear
constraints, to make anything less than a deeply personal work."
Dennis Lim in the Los Angeles Times revisits John Cassavetes's 1962 movie, Too Late Blues.
Sunday, May 27, 2012
"Something Like a Confessional Manifesto from the Emerging Director"
Labels:
1960s,
Cassavetes,
cultural history,
movies,
twentieth century
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment