"As cultural history, this is an impressively researched, convincing argument. But Sperb is on shakier ground as a polemicist. He implies that the company has whitewashed (so to speak) its past by burying a moral embarrassment while still reaping profits from it. And ashamed as I am to type this, I’m not sure he’s being entirely fair to Disney."
John Lingan in Slate reviews Jason Sperb's Disney's Most Notorious Film: Race, Convergence, and the
Hidden Histories of Song of the South.
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