"In the epilogue Morin and Rouch pace the halls of the Musée de l'Homme in Paris, recapping and analyzing their experiment and its aftermath. Their subjects were variously blamed for being 'too true' or 'not true enough,' for being exhibitionists or phonies. But the filmmakers' hypothesis is that the moments they have captured on film are no less true, or at least no less revealing, for being acted. How we act, in other words, reveals something about who we are."
Dennis Lim in the Los Angeles Times discusses the DVD release of Chronicle of Summer.
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