"The scrambling of pop time is a culture-wide phenomenon in the West, but it feels unusually strong in LA, where pop radio is dominated by old music: classic rock, New Wave and eclectic stations like Jack fm that mimic a 40-something’s iPod Shuffle. Flicking between stations, there’s a visual analogue to what you hear in the endless interplay of different eras of commercial signage and shop-front décor. In no other city have I had such an overwhelming sense of the erosion of a cultural timecode, that pulse that once synchronized the sectors of the contemporary scene (fashion, design, music, etc.) and constructed a sense of epoch."
In a 2011 Frieze article, Simon Reynolds discusses "'Hypnagogic pop' and the landscape of Southern California."
Monday, January 20, 2014
"A Sort of Hyper-America"
Labels:
California,
cultural history,
Los Angeles,
music,
Reynolds,
sociology,
twenty-first century,
urban history
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