"In the 1936 letter to Benjamin, Adorno offers a subtler argument—more of a plea for parity. Commercial logic is triumphant, he says, ensnaring culture high and low: 'Both bear the stigmata of capitalism, both contain elements of change. . . . Both are torn halves of an integral freedom to which, however, they do not add up. It would be romantic to sacrifice one for the other.' In particular, it would be a mistake to romanticize the new mass forms, as Benjamin seems to do in his mesmerizing essay. Adorno makes the opposite mistake of romanticizing bourgeois tradition by denying humanity to the alternative. The two thinkers are themselves torn halves of a missing picture. One collateral misfortune of Benjamin’s early death is that it ended one of the richest intellectual conversations of the twentieth century."
Alex Ross in The New Yorker revisits Walter Benjamin's and Theodor Adorno's ideas about pop culture.
Saturday, September 13, 2014
"A Mutual Admonition Society"
Labels:
Adorno,
art,
books,
cultural history,
Germany,
Marx,
movies,
music,
social history,
technology,
twentieth century,
Walter Benjamin,
World War II
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