"You know, Sam was what we've come to call a crossover artist. You know, he crossed over from gospel to pop, which was controversial enough in its day. But once he became a pop artist, he had a certain mainstream image to protect. And the fact is that, you know, when he was out on the road, he was playing to a predominantly, almost exclusively black audience. And he was doing a different kind of show. You know, a much more down home, down to earth, gut bucket kind of show than what he would do for his pop audience."
In 2013, Scott Simon on NPR's Weekend Edition talks with Gregg Geller about Sam Cooke's Live at the Harlem Square Club, 1963.
Thursday, April 26, 2018
The Greatest Live Album of All Time
Labels:
1960s,
cultural history,
Miami,
music,
Sam Cooke,
twentieth century
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