"Craven Walker didn't envision the lamps as paragons of grooviness. 'They weren't marketed like that—they were almost staid,' Granger says. Indeed, an ad in a 1968 edition of the American Bar Association Journal touted the 'executive' model—mounted on a walnut base alongside a ballpoint pen.
"As light fixtures go, the lamps are peculiar in that they don't cast much light. They appeal to people at ease in darkness."
Abigail Tucker in a 2013 Smithsonian article explains the history of the lava lamp.
Wednesday, February 20, 2019
Krakatoa, East of Java
Labels:
1960s,
Britain,
Counterculture,
cultural history,
design,
twentieth century
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