"Moreover, 1968 was the year that flower-power idealism curdled: it was a year of rioting, violence and upheaval, of Sympathy for the Devil rather than All You Need Is Love. That suited the album's sinister atmosphere perfectly. Its flatly astonishing closer, I Walk on Gilded Splinters, offered up eight minutes of crawling malevolence and threatening braggadocio: if you took the title as a reference to needles, as plenty did, it sounded remarkably like a sneering, screw-you defence of Rebennack's drug use, a distant Louisiana relation of the Velvet Underground's Heroin. The live show Rebennack devised to support the album was a sensation, involving dancers wearing nothing but body paint, the singer disappearing in a puff of smoke and voodoo rituals. In St Louis, they were arrested after a band member bit the head off a chicken on stage."
Alexis Petridis at The Guardian writes an appreciation of Dr. John.
Saturday, June 08, 2019
"Sounded Like Nothing Else on Earth"
Labels:
1960s,
cultural history,
music,
New Orleans,
obituaries,
twentieth century
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment